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Salerno Cultura -
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  4. Salerno in literature

Salerno in literature

Orazio wants to go on holiday, Boccaccio sets us some novels, Basile sends us a character at the Fair. Salerno is present in novels and novels along two millennia.

Salerno was a Roman colony, and evidently already in the times of the Empire had fame as a resort town.

Orazio in the XV epistola decides to go on holiday to the sea and wants to escape from places too well known as Baia. He therefore addresses his friend Numonio Vala and asks him: “How is winter in Velia? What is the climate in Salerno, Vala? What people live down there? How’s the road? “

What interests the poet of Lucca is a pleasant climate, the possibility of eating good fish, “a generous, loving wine, that frees me from thoughts, it turns me in the veins and in the heart full of hope”.

We do not know if he finally chose Salerno or Velia (now Ascea on the coast of Cilentana), but still he would have found what he was looking for.

In the Middle Ages Salerno is instead known for the Medical School and for the fame, not always pleasant, of experts in poisons of his doctors, fame that we know also concerned Sichelgaita.

A legend tells Roberto, son of Norman king William the conqueror, wounded by a poisoned arrow and then arrived in Salerno to be healed. Terrible care, because only someone who sucked the poison from the wound, but dying instead, could save it. And so did his wife Sibilla, who healed Roberto and died.

This is narrated by Hartmann von Aue who lived on the 11th and 12th centuries, who in his poem Il Povero Enrico, written in the upper-German, tells of Prince Henry who hit by leprosy, arrives in Salerno from Germany to be cured, but what is prescribed is terrible: only the blood of a virgin can save him. A girl offers herself, but Henry unworthyly refuses and is rewarded by a miracle that makes him heal and allows him to marry the young man.

A story narrated in the nineteenth century by Longfellow, the poet who translated the Divine Comedy into English. Salerno remains linked to the Medical School, so much so that of the three novels of the Decameron set in Salerno, one is dedicated to Mazzeo della Montagna, a doctor who is perhaps inspired by Matteo Silvatico. But of Salerno from the thirteenth century it is also spoken for the fair, and so does the same Boccaccio in another novella, in which a young Florentine merchant, goes to trade for the Fair of Salerno.

Of Salerno speaks in many novels, of course, Masuccio, which sets some events in which the Salernitans make a beautiful figure and they drink of amalfitani and cavuoti (i.e. inhabitants of Cava dei Tirreni). In these novels we mention the Church of St. Augustine and the Via Drapparia, today’s Via dei Mercanti. Two centuries later, the author of Lo Cunto de li Cunti also knows the Fair of Salerno.

Basil in the novella entitled “The cockroach, the mouse and the cricket” tells a character: “There are therefore these one hundred ducats: go to the fair of Salerno and buy many young people, so in three or four years we will make many oxen. ”

In the following centuries of Salerno, the travellers of the Gran Tour are speaking, describing the agity of the landscape and the natural riches of the Gulf.

Foscolo set in Salerno his tragedy, Ricciarda, with a medieval fantasy setting: “It is a tragedy all love, and terrible for contrasts of piety and ferocity, and affections of friendship, love, fraternity. ” So he writes the Foscolo to Silvio Pellico.

Among the many nineteenth-century travelers of Northern Europe there was also the great Christina Andersen, who in his fantastic novel

The improbable discovery of the burial of Alexander the Great in the Cathedral in Salerno. Fantasious reconstruction, but true description of the tomb, a Roman sarcophagus, of those still found in the atrium of the Cathedral. Quickly last in the long literature two thousand years, which we conclude with the verses of the most famous Salento poet, Alfonso Gatto, who wrote the poem known to all citizens: Salerno rhymes in winter, O sweet winter. Salerno rima d’eterno.

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  • Cultural Venues and TheatresCultural venues and theatres in Salerno enliven the city’s artistic life with a dense network of historic halls and contemporary spaces dedicated to theatre, cinema, music and performing arts. From the Municipal Theatre Giuseppe Verdi and the Cinema Teatro Augusteo to the Teatro Ghirelli, Sala Pasolini and neighbourhood theatres such as Teatro delle Arti, Piccolo Teatro del Giullare and Teatro Nuovo, these spaces host seasons, festivals, workshops and projects that make culture accessible to residents and visitors all year round.
  • Churches and MonasteriesThe churches and monasteries of Salerno preserve the spiritual and historical heart of the city, especially in the old town centre, where monumental buildings and more intimate spaces tell centuries of faith and art. From the Cathedral of San Matteo to the monastic complexes of San Benedetto, Santa Sofia and San Giorgio, a journey through these sites crosses different eras — from medieval and baroque architecture to spaces now repurposed for culture — keeping alive the connection with the religious roots of the territory.
  • Palaces and SquaresPalaces and squares in Salerno form a vibrant urban fabric, where noble residences, historical archives and monumental spaces recount the city’s civil and social evolution from the Middle Ages to the twentieth century. From Piazza Portanova and Largo Campo to Piazza Abate Conforti, from Palazzo Fruscione to the City Hall and the many historic buildings along Via dei Mercanti and in the Duomo district, every corner offers evocative architectural settings that combine history, everyday life and the symbolic places of the Salerno community.
  • Museums and ArchaeologyMuseums and archaeology in Salerno recount the thousand-year history of the territory through artefacts spanning from prehistory to the Roman era, housed in a network of institutions spread across the city. From the Provincial Archaeological Museum, hosted in the former monastery of San Benedetto and dominated by the famous bronze head of Apollo, to civic and diocesan museums and the routes dedicated to the Etruscan-Samnite sites of Fratte, each exhibition offers an immersive journey through everyday objects, funerary goods, sculptures and the evidence of ancient civilisations in the Salerno area.
  • Gardens and ParksGardens and parks in Salerno offer a widespread network of green areas stretching across the entire city — from historic gardens to large urban parks — creating spaces for relaxation and socialising just steps from the sea. From the Parco del Mercatello to the Parco del Seminario, from the Parco dell’Irno to the gardens of the eastern district and the Giardino della Minerva, these places combine nature, outdoor sports and cultural events, enhancing the urban landscape and making the city more liveable in every season.
  • Modern ArchitectureModern architecture in Salerno reshapes the relationship between the city and the sea with iconic buildings and open public spaces, transforming the waterfront into a new contemporary urban hub. From the Crescent and Piazza della Libertà to Zaha Hadid’s maritime station, the Santa Teresa seafront and the Cittadella Giudiziaria, a dynamic architectural landscape emerges — one of fluid lines, essential volumes and sea-facing squares designed for the social and cultural life of the city.

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